Occult & Esoterica
[FURST, Peter T. (Editor)] Flesh of the Gods. The Ritual Use of Hallucinogens (First US Edition)
[FURST, Peter T. (Editor)] Flesh of the Gods. The Ritual Use of Hallucinogens (First US Edition)
Essays by R. Gordon Wasson, Richard Evans Schultes, William A. Emboden, Jr., Weston La Barre, Douglas Sharon, Gerardo Reichel-Dolmatoff, Johannes Wilbert, and Peter T. Furst
New York / Washington: Praeger Publishers, 1972. First US Edition. Hardcover. Octavo. xvi + 304pp. Maroon cloth with gilt spine titles. Illustrated with b&w photos and drawings. Some light rubbing to cloth, dust jacket spine is sun faded, A otherwise a near fine copy in a very good dust jacket.
A collection of ten essays by scholars, specializing in one or another hallucinogen currently in use in a non-Western society. Contributors include R. Gordon Wasson, Richard Evans Schultes, William A. Emboden, Jr., Weston La Barre, Douglas Sharon, Gerardo Reichel-Dolmatoff, Johannes Wilbert, and Peter T. Furst. For centuries, hallucinogens have been of great significance in the ideology and religious practices of primitive societies. In fact, the use of psychotropic plants to achieve states of religious ecstasy goes back almost to the beginning of human culture. Furthermore, the content of the psychedelic experience in the West today has been found to be similar to that of the religious pilgrimages of Oriental and aboriginal New World groups. But one fundamental difference overshadows all similarities: In the traditional cultures described in this collection of ten essays, the hallucinogenic "trip" is a means to an end - a quest for confirmation of traditional values, for unity with the tribal ancestors. In contemporary Western society, by contrast, it tends to be an end in itself and a rejection of the society's values - perhaps, it has been suggested, because Western drug-users tend to be a-cultural. Clearly, we have much to learn from an objective study of societies with long histories of sanctioned, and controlled, drug use to achieve recognized cultural objectives.